Bad essays don’t think: reflections on a (still) heretic form of the cinematic city
by
Drawing on Adorno's account of the "bad essay", Brenda Hollweg defends the essay film's capacity for politico-aesthetic intervention.
vol. 3
Re/framing the City of Cinema
by
Laura Rascaroli on how the essay film's metahistorical nature, combined with the characteristics of post-modern space/time, produce a distinct treatment of the city as palimpsest.
Urban Palimpsests and the City Essay Film
by
Igor Krstić reflects on the first round of The Essay Film and the City" and opens the second by asking contributors to rethink the classic metaphor of the urban as palimpsest.
Quantified Self-City-Nation
by
Matthew W. Wilson considers the technicity of maps and ‘quantified self-city-nation’ as a general theory for the technoscientific solutions we offer to confront socio-technical problems.
Urban platforms, rent, and the digital built environment
by
John Stehlin claims that the urban & the platform are entwined through their mutual creation of landscapes of locational advantage.
We Are All Platform Urbanists Now
by
Sarah Barns argues that a platform urbanism should be more than a focus of academic critique, but also a site for radical appropriations of urban space.
Becoming-Platform, the Urban and the City
by
Maroš Krivý examines the smart city as both the smart city and the smart city.
Platforms and the Publicness of Urban Markets
by
Lizzie Richardson revises our assumptions about digital platforms like Uber and the privatization of public urban space.
Platform Urbanism: An Introduction
by
Scott Rodgers and Susan Moore introduce a new Roundtable on urban platforms by asking how platforms may be understood as new forms of urban infrastructure.
“(Not) Working for the Clampdown”: LINK TV Project – Pratello TV (Bologna, 1992)
by
Four years ago, the Italian National Amateur Film Archive in Bologna was able to collect audiovisual materials (film and analog videos) from Bologna’s radical political scene of the late eighties and early nineties. What does it mean to archive radical records?
The city as stage: proto-essayistic elements in Chronique d’un été
by
Roberto Cavallini mounts a case for Rouch and Morin's Chronique d'un été as an essay film
Notebook on Cities and Clothes: Wim Wenders Takes to the (Inner Ring) Road
by
Thomas Elsaesser reconsiders some of Wim Wenders films through the lens of the city and the essay, discovering new dialogic and self-reflexive qualities within them.