no. 3

September 22, 2018<April 2, 2021

Mediapolis Live: Dora Apel on “Beautiful Terrible Ruins: Detroit and the Anxiety of Decline” (Part 2)

by Brendan Kredell

Our Mediapolis Live series continues with part two of an interview with Dora Apel, author of "Beautiful Terrible Ruins: Detroit and the Anxiety of Decline." Here, she and Mediapolis co-editor Brendan Kredell discuss the legacies of Henry Ford and Coleman Young in contemporary Detroit, and the critique of "creative class" urban planning.

September 16, 2018<April 2, 2021

Mediapolis Live: Dora Apel on “Beautiful Terrible Ruins: Detroit and the Anxiety of Decline” (Part 1)

by Brendan Kredell

Our Mediapolis Live series continues with an interview with Dora Apel, author of "Beautiful Terrible Ruins: Detroit and the Anxiety of Decline." In the first of a two-part series, co-editor Brendan Kredell discusses with Apel her notion of the "deindustrial sublime" and the nomenclature of ruin photography.

August 28, 2018<August 29, 2018

1968 and Its Legacies Symposium, Or, The Historiohappening and Beyond

by Mark Broughton & Sophia Satchell-Baeza

Mark Broughton and Sophia Satchell-Baeza report from Kings College London on the "1968 and Its Legacies" symposium, reflecting on the history – and historiography – of the Long Sixties and tensions between activism and academia.

August 20, 2018<October 1, 2018

The Mediapolis Q&A: Tim Lawrence on Dance Music Culture in New York City (Part Two)

by Lawrence Webb

In part two of the Mediapolis Q+A, Lawrence Webb continues his conversation with Tim Lawrence about the history of dance music culture in New York City.

August 20, 2018<August 24, 2018

The Mediapolis Q&A: Tim Lawrence on Dance Music Culture in New York City (Part One)

by Lawrence Webb

Tim Lawrence is author of three groundbreaking books on the history of dance music culture in New York City. He sits down with Lawrence Webb to discuss the importance of space and place to writing music history, the extraordinary cultural fertility of New York, and the convergences between disco, punk, and hip-hop in the early 1980s.

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