Urban Art as Visual Noise in Bogotá
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Caitlin Bruce reports on urban art and social movements in Bogotá.
Global Public Art
Hemispheric Conversations Urban Art Project: Celebrating Histories of Industrial Labor and Potential Futures of Ecological Abundance
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In this issue's Global Public Art column, Caitlin Bruce discusses her Hemispheric Conversations Urban Art Project, which connects post-industrial cities across the US/Mexico border and offers new ways of producing and engaging graffiti and mural-making.
“Lo Internacional”: The International as Horizon for Legal Graffiti in Mexico
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Caitlin Bruce examines the graffiti practices of a legal graffiti program in León, a city in central Mexico. Through her discussion of recent civic events, policies, celebrations, and news coverage dedicated to the program, Bruce shows how the international is a horizon of possibility, but also a looming constraint for the practice of public art.
Ser Humano/Ser Urbano: How Urban Art in Mexico Became a Carrier for So-Called Universal Values
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In the first of her series of posts on transnational public art movements, Caitlin Bruce explores tensions around the relationship between urban identity and street art in Mexico.