The Montage of Authenticity: Voyage and Voyeurism in Sergei Eisenstein’s ¡Que Viva Mexico!
Emmanuel Ramos-Barajas
Reconstructing Sergei Eisenstein’s travels in rural Mexico for the unfinished project, ¡Que Viva Mexico!, Emmanuel Ramos-Barajas argues that the filmmaker's theories of montage were shaped by ideas about tourism, authenticity, and ethnography.