David Capener reads Henri Lefebvre’s The Right to the City as a useful conceptual framework for understanding and acting in the archive of everyday life—the production of space by new digital technologies.
In this essay, Thomas Nail explores the history of sanctuary cities, and proposes the notion of migrant cosmpolitanism as a means of achieving the right to the city.
In the third essay, Myria Georgiou reflects on the politicized relationships between the right to the city and emergent compulsions to communicate digitally.