What happens when Detroit is reproduced in Bulgaria for a horror film? Slaveya Minkova examines the abandoned set of Barbarian and unpacks the complex connections and displacements between American cityscape and Bulgarian landscape created by globalized media production.
In the latest episode of our Events podcast series, Julia Stolyar, Darshana Mini and Jaana Serres discuss with Scott Rodgers their research on the locality of different media industries in South Korea, India and Nigeria.
Maria O'Brien draws on Henri Lefebvre's spatial theories to argue for the continued importance of the state in the media production process, via the example of Irish audiovisual taxation policies.
Myles McNutt looks at how the issue of safety is redrawing the map of US television production, from Covid-19 to new forms of discriminative legislation on issues such as abortion and LGBTQ+ rights.
How is historic Istanbul recreated for the screen? Drawing on interviews with local media professionals, Ipek Celik Rappas considers the challenges of filming heritage television series in a rapidly changing city.
How have Hollywood’s production networks responded to disruptions in global supply chains? Kate Fortmueller examines the logistics of making film and television during the Covid-19 pandemic.
In this issue's Mediapolis Q&A, film scholar Sushmita Banerji interviews Priya Jaikumar on her most recent book Where Histories Reside: India as Filmed Space.
In this installment of our continuing series of conversations with authors of new books on cities and global cities, reviews editor Noelle Griffis talks with Nolwenn Mingant, who co-authored and edited Reconceptualising Film Policies (Rutgers University Press, 2017) with Cecilia Tirtaine.
In the final post of the Roundtable, Helena Holgersson and Erik Florin Persson address the role of Richard Florida's ideas in Gothenburg's self-presentation and self-conception.