global public art

no. 4, Q & A, vol. 5November 11, 2020<November 11, 2020

The Landscape as a Monument: Time, Space and Memory in the Geographies of Eastern Ukraine

Tanya Lokot

Tanya Lokot interviews curators Oleksandra Pogrebnyak and Dmytro Chepurnyi about the Landscape As a Monument art residency programme and the changing geographical and cultural landscapes of Eastern Ukraine.

Global Public Art, no. 1, vol. 5February 28, 2020<March 1, 2020

Urban Art as Visual Noise in Bogotá

Caitlin Bruce

Caitlin Bruce reports on urban art and social movements in Bogotá.

Global Public Art, no. 2, vol. 3June 12, 2018<June 13, 2018

“Lo Internacional”: The International as Horizon for Legal Graffiti in Mexico

Caitlin Bruce

Caitlin Bruce examines the graffiti practices of a legal graffiti program in León, a city in central Mexico. Through her discussion of recent civic events, policies, celebrations, and news coverage dedicated to the program, Bruce shows how the international is a horizon of possibility, but also a looming constraint for the practice of public art.

Global Public Art, no. 4, vol. 2November 6, 2017<November 7, 2017

Ser Humano/Ser Urbano: How Urban Art in Mexico Became a Carrier for So-Called Universal Values

Caitlin Bruce

In the first of her series of posts on transnational public art movements, Caitlin Bruce explores tensions around the relationship between urban identity and street art in Mexico.