In this installment of ‘from the archive’, Swiss artist Giorgia Piffaretti focuses on the subject of ‘personal archive’. Starting from her own archive, she recognizes potential in everyday objects and situations, based on the observation of a newsstand at the border between Italy and Switzerland. Persisting in a digital era, Piffaretti has examined its archival features, for the way it provides access to the world through its papers and magazines.
Welcome to the first installment of “From the Archive,” a new recurring section highlighting archival-based scholarship and practice in urban media studies. To start things off, Floris Paalman discusses how the ideas of “database cinema” informed the curation of the Extended City Symphony Program at EYE Filmmuseum’s ResarchLab.