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Mediapolis - a journal of cities and culture a journal of cities and culture
  • About Us
    • Mission Statement
    • Editors
      • Lawrence Webb
      • Elizabeth Patton
      • Noelle Griffis
      • Scott Rodgers
    • Editorial Board
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  • Current Issue
  • Archive
    • Volume 1 – 2015/2016
      • № 1 – December 2015
      • № 2 – March 2016
      • № 3 – June 2016
      • № 4 – August 2016
      • № 5 – November 2016
    • Volume 2 – 2017
      • № 1 – January/February 2017
      • № 2 – June 2017
      • № 3 – September 2017
      • № 4 – October/November 2017
      • № 5 – December 2017
    • Volume 3 – 2018
      • № 1 – January/February 2018
      • № 2 – June 2018
      • № 3 – August/September 2018
      • № 4 – October/November 2018
    • Volume 4 – 2019
      • № 1 – January/February 2019
      • № 2 – June 2019
      • № 3 – October/November 2019
    • Volume 5 – 2020
      • Vol. 5 № 1
      • Vol. 5 № 2
      • Vol. 5 № 3
      • Vol. 5 № 4
    • Volume 6 – 2021
      • Vol. 6 № 1
      • Vol. 6 № 2
      • Vol. 6 № 3
      • Vol. 6 № 4
    • Volume 7 – 2022
      • Vol. 7 № 1
      • Vol. 7, № 2
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Thomas Elsaesser

Thomas Elsaesser

Thomas Elsaesser is Professor Emeritus at the University of Amsterdam and since 2013, Visiting Professor at Columbia University, USA. Among his most recent books as author are: European Cinema and Continental Philosophy: Film as Thought Experiment (Bloomsbury, 2018); Film History as Media Archaeology (Amsterdam University Press, 2016); The Persistence of Hollywood (Routledge, 2012); German Cinema - Terror and Trauma: Cultural Memory Since 1945 (Routledge, 2013); and Film Theory: An Introduction through the Senses (Routledge, second edition 2015, with Malte Hagener).

no. 4, RoundtablesOctober 31, 2018<October 31, 2018

(Im)Permeable History: Notebook on Cities and Clothes (pt. 2)

Thomas Elsaesser traces Wim Wenders and Yohji Yamamoto's intertwined history through personal upheavals and national trauma to arrive, unexpectedly, at Weimar photography.
no. 4, Roundtables, vol. 3October 19, 2018<October 20, 2018

Notebook on Cities and Clothes: Wim Wenders Takes to the (Inner Ring) Road

Thomas Elsaesser reconsiders some of Wim Wenders films through the lens of the city and the essay, discovering new dialogic and self-reflexive qualities within them.

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Mediapolis 2015-2023.
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  • About Us
    • Mission Statement
    • Editors
      • Lawrence Webb
      • Elizabeth Patton
      • Noelle Griffis
      • Scott Rodgers
    • Editorial Board
    • Advisory Board
    • Our Partners
  • Current Issue
  • Archive
    • Volume 1 – 2015/2016
      • № 1 – December 2015
      • № 2 – March 2016
      • № 3 – June 2016
      • № 4 – August 2016
      • № 5 – November 2016
    • Volume 2 – 2017
      • № 1 – January/February 2017
      • № 2 – June 2017
      • № 3 – September 2017
      • № 4 – October/November 2017
      • № 5 – December 2017
    • Volume 3 – 2018
      • № 1 – January/February 2018
      • № 2 – June 2018
      • № 3 – August/September 2018
      • № 4 – October/November 2018
    • Volume 4 – 2019
      • № 1 – January/February 2019
      • № 2 – June 2019
      • № 3 – October/November 2019
    • Volume 5 – 2020
      • Vol. 5 № 1
      • Vol. 5 № 2
      • Vol. 5 № 3
      • Vol. 5 № 4
    • Volume 6 – 2021
      • Vol. 6 № 1
      • Vol. 6 № 2
      • Vol. 6 № 3
      • Vol. 6 № 4
    • Volume 7 – 2022
      • Vol. 7 № 1
      • Vol. 7, № 2
  • Resources
    • SIG Institutional History
      • Workshops
      • 2016 Workshop Proposal
      • Sponsored Events
    • Conference Presentations
      • 2008 – Philadelphia
      • 2009 – Tokyo
    • Course Syllabi
  • Sections
    • Dossiers
    • Roundtables
    • From the Archive
    • Mediapolis on Coronavirus
    • Opening the Canon
    • Q & A
    • Student Voices
    • Mediapolis Now
  • Contribute
    • Submission guidelines