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Mediapolis - a journal of cities and culture a journal of cities and culture
  • About Us
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      • Lawrence Webb
      • Elizabeth Patton
      • Noelle Griffis
      • Scott Rodgers
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      • № 1 – December 2015
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    • Volume 3 – 2018
      • № 1 – January/February 2018
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      • № 3 – August/September 2018
      • № 4 – October/November 2018
    • Volume 4 – 2019
      • № 1 – January/February 2019
      • № 2 – June 2019
      • № 3 – October/November 2019
    • Volume 5 – 2020
      • Vol. 5 № 1
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      • Vol. 5 № 3
      • Vol. 5 № 4
    • Volume 6 – 2021
      • Vol. 6 № 1
      • Vol. 6 № 2
      • Vol. 6 № 3
      • Vol. 6 № 4
    • Volume 7 – 2022
      • Vol. 7 № 1
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Kevin T. Allen

Kevin T. Allen

Kevin T. Allen is a filmmaker and sound-artist whose work straddles the territory between ethnographic and experimental practice. He has exhibited at numerous venues, including MoMA, Ethnographic Terminalia, Flaherty NYC, Margaret Mead Film Festival, Berlin Directors Lounge and Ann Arbor Film Festival. His sound work has been featured at museums and festivals, including the Canadian Centre for Architecture, Third Coast International Audio Festival and Deep Wireless Festival of Radio Art. He has made ethnographically imbued films in Vietnam, Sri Lanka, India, Peru, Bolivia, Argentina, the Wild West, and the migrant farm worker community of Immokalee, Florida. Recent research has lead him to find culture not exclusively in human forms, but also inherent in physical landscapes and material objects. His work is funded through the Jerome Foundation. He is an assistant professor of filmmaking at The New School and teaches sound at Rutgers University. ​

no. 3, Roundtables, vol. 1June 27, 2016<January 17, 2017

The Importance of “Looking Through”

Kevin T. Allen
Kevin T. Allen begins the second round of our small-gauge roundtable by insisting on a space for self-reflexivity in our work.
no. 3, Roundtables, vol. 1June 15, 2016<January 17, 2017

The Genealogy of Small Gauge

Kevin T. Allen
In this entry to the small-gauge roundtable, Kevin T. Allen explores the genealogy of the term "small-gauge" inside and outside of its media contexts, and discusses its applicability to his own work.

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Mediapolis 2015-2023.
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  • About Us
    • Mission Statement
    • Editors
      • Lawrence Webb
      • Elizabeth Patton
      • Noelle Griffis
      • Scott Rodgers
    • Editorial Board
    • Advisory Board
    • Our Partners
  • Current Issue
  • Archive
    • Volume 1 – 2015/2016
      • № 1 – December 2015
      • № 2 – March 2016
      • № 3 – June 2016
      • № 4 – August 2016
      • № 5 – November 2016
    • Volume 2 – 2017
      • № 1 – January/February 2017
      • № 2 – June 2017
      • № 3 – September 2017
      • № 4 – October/November 2017
      • № 5 – December 2017
    • Volume 3 – 2018
      • № 1 – January/February 2018
      • № 2 – June 2018
      • № 3 – August/September 2018
      • № 4 – October/November 2018
    • Volume 4 – 2019
      • № 1 – January/February 2019
      • № 2 – June 2019
      • № 3 – October/November 2019
    • Volume 5 – 2020
      • Vol. 5 № 1
      • Vol. 5 № 2
      • Vol. 5 № 3
      • Vol. 5 № 4
    • Volume 6 – 2021
      • Vol. 6 № 1
      • Vol. 6 № 2
      • Vol. 6 № 3
      • Vol. 6 № 4
    • Volume 7 – 2022
      • Vol. 7 № 1
      • Vol. 7, № 2
      • Vol. 7, № 3
      • Vol. 7, № 4
  • Resources
    • SIG Institutional History
      • Workshops
      • 2016 Workshop Proposal
      • Sponsored Events
    • Conference Presentations
      • 2008 – Philadelphia
      • 2009 – Tokyo
    • Course Syllabi
  • Sections
    • Dossiers
    • Roundtables
    • Q & A
    • Deep Dives
    • From the Archive
    • Opening the Canon
    • Student Voices
    • Mediapolis on Coronavirus
    • Podcast: Mediapolis Now
  • Contribute
    • Submission guidelines
    • Call for Contributions