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Mediapolis - a journal of cities and culture a journal of cities and culture
  • About Us
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      • Lawrence Webb
      • Elizabeth Patton
      • Noelle Griffis
      • Scott Rodgers
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      • № 1 – December 2015
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    • Volume 2 – 2017
      • № 1 – January/February 2017
      • № 2 – June 2017
      • № 3 – September 2017
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    • Volume 3 – 2018
      • № 1 – January/February 2018
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      • № 3 – August/September 2018
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      • № 1 – January/February 2019
      • № 2 – June 2019
      • № 3 – October/November 2019
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      • Vol. 5 № 1
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      • Vol. 5 № 3
      • Vol. 5 № 4
    • Volume 6 – 2021
      • Vol. 6 № 1
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      • Vol. 6 № 3
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    • Volume 7 – 2022
      • Vol. 7 № 1
      • Vol. 7, № 2
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Hai Ren

Hai Ren

Hai Ren is Associate Professor of East Asian Studies, Anthropology, Social, Cultural & Critical Theory, and Applied Intercultural Arts Research at the University of Arizona. He is also a Bayu Scholar of the City of Chongqing, and a Distinguished Professor of Art at Sichuan Fine Arts Institute. He directs the Center for Research-Oriented Art, a joint research project between the University of Arizona and Sichuan Fine Arts Institute. His publications include studies of socially engaged art, research-oriented art, public history, object-oriented anthropology, urban studies, comparative media and technology, popular culture, and critical theory. He is the author of Neoliberalism and Culture in China and Hong Kong: The Countdown of Time (Routledge, 2010) and The Middle Class in Neoliberal China: Governing Risk, Life-Building, and Themed Spaces (Routledge, 2013), and co-editor (with Ann Anagnost and Andrea Arai) of Global Futures in East Asia: Youth, Nation, and the New Economy in Uncertain Times (Stanford University Press, 2013). He is completing a book manuscript on the city as an assemblage of objects, editing another on socially engaged art, and making a film on sculpture as a metaphor.

Deep Dives, no. 1, vol. 5March 6, 2020<March 6, 2020

Assembling the Cosmopublic: Art Intelligence and Object-Oriented Citizenship

Hai Ren rethinks the creative city away from its anthropocentricism and toward a nonhuman art intelligence

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Mediapolis 2015-2023.
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  • About Us
    • Mission Statement
    • Editors
      • Lawrence Webb
      • Elizabeth Patton
      • Noelle Griffis
      • Scott Rodgers
    • Editorial Board
    • Advisory Board
    • Our Partners
  • Current Issue
  • Archive
    • Volume 1 – 2015/2016
      • № 1 – December 2015
      • № 2 – March 2016
      • № 3 – June 2016
      • № 4 – August 2016
      • № 5 – November 2016
    • Volume 2 – 2017
      • № 1 – January/February 2017
      • № 2 – June 2017
      • № 3 – September 2017
      • № 4 – October/November 2017
      • № 5 – December 2017
    • Volume 3 – 2018
      • № 1 – January/February 2018
      • № 2 – June 2018
      • № 3 – August/September 2018
      • № 4 – October/November 2018
    • Volume 4 – 2019
      • № 1 – January/February 2019
      • № 2 – June 2019
      • № 3 – October/November 2019
    • Volume 5 – 2020
      • Vol. 5 № 1
      • Vol. 5 № 2
      • Vol. 5 № 3
      • Vol. 5 № 4
    • Volume 6 – 2021
      • Vol. 6 № 1
      • Vol. 6 № 2
      • Vol. 6 № 3
      • Vol. 6 № 4
    • Volume 7 – 2022
      • Vol. 7 № 1
      • Vol. 7, № 2
  • Resources
    • SIG Institutional History
      • Workshops
      • 2016 Workshop Proposal
      • Sponsored Events
    • Conference Presentations
      • 2008 – Philadelphia
      • 2009 – Tokyo
    • Course Syllabi
  • Sections
    • Dossiers
    • Roundtables
    • From the Archive
    • Mediapolis on Coronavirus
    • Opening the Canon
    • Q & A
    • Student Voices
    • Mediapolis Now
  • Contribute
    • Submission guidelines