Mediapolis - a journal of cities and culture a journal of cities and culture
  • About Us
    • Mission Statement
    • Editorial Policies
      • Call for Contributions
      • Review Guidelines
    • Editors
      • Brendan Kredell
      • Erica Stein
      • Lawrence Webb
      • Elizabeth Patton
      • Noelle Griffis
    • Editorial Board
    • Advisory Board
    • Our Partners
  • Current Issue
  • Archive
    • Volume 1 – 2015/2016
      • № 1 – December 2015
      • № 2 – March 2016
      • № 3 – June 2016
      • № 4 – August 2016
      • № 5 – November 2016
    • Volume 2 – 2017
      • № 1 – January/February 2017
      • № 2 – June 2017
      • № 3 – September 2017
      • № 4 – October/November 2017
      • № 5 – December 2017
    • Volume 3 – 2018
      • № 1 – January/February 2018
      • № 2 – June 2018
      • № 3 – October/November 2018
      • № 4 – December 2018
    • Volume 4 – 2019
      • № 1 – January/February 2019
      • № 2 – June 2019
      • № 3 – October/November 2019
  • Resources
    • SIG Institutional History
      • Workshops
      • 2016 Workshop Proposal
      • Sponsored Events
    • Conference Presentations
      • 2008 – Philadelphia
      • 2009 – Tokyo
    • Course Syllabi

Daryl Meador

Daryl Meador is a filmmaker and PhD student in Cinema Studies at NYU. Her research focuses on eco-criticism and the visual culture of Texas. She is the Graduate Assistant Editor of Mediapolis

Deep Dives, no. 2, vol. 4July 9, 2019

Landscape as Loneliness in The Last Picture Show

By Daryl Meador

The Last Picture Show (Bogdonavich, 1971) begins and ends with the same shot: a pan across a vacant Texas town that seems all but forgotten, its main street marked only with a single  trafficlight that sways from a flimsy wire …

Read More

©

Mediapolis 2015-2018.
Back to top