}
Mediapolis - a journal of cities and culture a journal of cities and culture
  • About Us
    • Mission Statement
    • Editors
      • Lawrence Webb
      • Elizabeth Patton
      • Noelle Griffis
      • Scott Rodgers
    • Editorial Board
    • Advisory Board
    • Our Partners
  • Current Issue
  • Archive
    • Volume 1 – 2015/2016
      • № 1 – December 2015
      • № 2 – March 2016
      • № 3 – June 2016
      • № 4 – August 2016
      • № 5 – November 2016
    • Volume 2 – 2017
      • № 1 – January/February 2017
      • № 2 – June 2017
      • № 3 – September 2017
      • № 4 – October/November 2017
      • № 5 – December 2017
    • Volume 3 – 2018
      • № 1 – January/February 2018
      • № 2 – June 2018
      • № 3 – August/September 2018
      • № 4 – October/November 2018
    • Volume 4 – 2019
      • № 1 – January/February 2019
      • № 2 – June 2019
      • № 3 – October/November 2019
    • Volume 5 – 2020
      • Vol. 5 № 1
      • Vol. 5 № 2
      • Vol. 5 № 3
      • Vol. 5 № 4
    • Volume 6 – 2021
      • Vol. 6 № 1
      • Vol. 6 № 2
      • Vol. 6 № 3
      • Vol. 6 № 4
    • Volume 7 – 2022
      • Vol. 7 № 1
      • Vol. 7, № 2
      • Vol. 7, № 3
  • Resources
    • SIG Institutional History
      • Workshops
      • 2016 Workshop Proposal
      • Sponsored Events
    • Conference Presentations
      • 2008 – Philadelphia
      • 2009 – Tokyo
    • Course Syllabi
  • Sections
    • Dossiers
    • Roundtables
    • Q & A
    • Deep Dives
    • From the Archive
    • Opening the Canon
    • Student Voices
    • Mediapolis on Coronavirus
    • Podcast: Mediapolis Now
  • Contribute
    • Submission guidelines
    • Call for Contributions
Charlotte Brunsdon

Charlotte Brunsdon

Charlotte Brunsdon’s books include Television Cities: Paris, London, Baltimore (Duke, 2019) and London in Cinema (BFI, 2007).  She has recently edited a selection of Stuart Hall’s media writings, A History of the Present (Duke 2021), and is Professor Emeritus of Film and Television at the University of Warwick.

Dossiers, no. 2, vol. 7June 28, 2022<June 28, 2022

Afterword: The Time of the Television City has Come

Charlotte Brunsdon reflects on recurring themes in the Television Cities dossier and discusses the enticements and challenges of studying television and cities together.

©

Mediapolis 2015-2023.
Back to top
  • About Us
    • Mission Statement
    • Editors
      • Lawrence Webb
      • Elizabeth Patton
      • Noelle Griffis
      • Scott Rodgers
    • Editorial Board
    • Advisory Board
    • Our Partners
  • Current Issue
  • Archive
    • Volume 1 – 2015/2016
      • № 1 – December 2015
      • № 2 – March 2016
      • № 3 – June 2016
      • № 4 – August 2016
      • № 5 – November 2016
    • Volume 2 – 2017
      • № 1 – January/February 2017
      • № 2 – June 2017
      • № 3 – September 2017
      • № 4 – October/November 2017
      • № 5 – December 2017
    • Volume 3 – 2018
      • № 1 – January/February 2018
      • № 2 – June 2018
      • № 3 – August/September 2018
      • № 4 – October/November 2018
    • Volume 4 – 2019
      • № 1 – January/February 2019
      • № 2 – June 2019
      • № 3 – October/November 2019
    • Volume 5 – 2020
      • Vol. 5 № 1
      • Vol. 5 № 2
      • Vol. 5 № 3
      • Vol. 5 № 4
    • Volume 6 – 2021
      • Vol. 6 № 1
      • Vol. 6 № 2
      • Vol. 6 № 3
      • Vol. 6 № 4
    • Volume 7 – 2022
      • Vol. 7 № 1
      • Vol. 7, № 2
      • Vol. 7, № 3
  • Resources
    • SIG Institutional History
      • Workshops
      • 2016 Workshop Proposal
      • Sponsored Events
    • Conference Presentations
      • 2008 – Philadelphia
      • 2009 – Tokyo
    • Course Syllabi
  • Sections
    • Dossiers
    • Roundtables
    • Q & A
    • Deep Dives
    • From the Archive
    • Opening the Canon
    • Student Voices
    • Mediapolis on Coronavirus
    • Podcast: Mediapolis Now
  • Contribute
    • Submission guidelines
    • Call for Contributions