Gentrification and Screen Media
Ipek A. Celik Rappas and Noelle GriffisIpek Celik Rappas and Noelle Griffis select some key texts on film/TV and gentrification.
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Ipek Celik Rappas and Noelle Griffis select some key texts on film/TV and gentrification.
Scott Rodgers talks to Caitlin Bruce about her recent book, Voices in Aerosol.
In the latest episode of our Voices podcast series, Caitlin Bruce discusses with Scott Rodgers her recent book exploring shifting judgments of graffiti culture in urban Mexico, and how the book has taken on new life as socially-engaged scholarship.
Adam Ochonicky talks to Pamela Robertson Wojcik about her latest book, Unhomed: Cycles of Mobility and Placelessness in American Cinema.
International Videoletters (1975–1977) was a groundbreaking feminist media network that connected communities across cities through grassroots video exchanges. Looking back on her involvement with the group, Ariel Dougherty explains its significance and emphasizes the importance of preserving its artifacts for feminist media history.
Bologna is one of the main data processing hubs in Europe. Stefano Corbo traces the infrastructural and architectural development of the city’s computer centers, arguing that to understand the recent history of the city, we must pay attention to the material history of data.
From electronic billboards to spectacular dirigibles, the outdoor advertising of Douglas Leigh incorporated theatrical techniques into the urban landscape. Jane Zhang shows how Leigh’s corporate campaigns mediated the relationship between individual and national identity in postwar America.
In this Student Voices essay, Kaitlyn Adèle Barrett-Gullion uses visual ethnographic methods to analyse photographic practices at a series of “Instagrammable” locations in Rome.
In this Student Voices essay, Ava DeAngelis compares the representation of female drug abuse and the urban night in two television series, Euphoria and Gossip Girl.
In this Student Voices essay, Marica Loffreda explores how the female fear of the urban night is reproduced by screen representations of sexual assault.
Eleonora Diamanti discusses designing the syllabus for her course “Urban Media” and introduces the essays in the Student Voices section.
In the lead-up to South Africa’s first democratic elections, the television series Tropical Heat used Pretoria to double as a fictional Florida city. Chris Broodryk considers the complex political dynamics of the series and its transformation of Pretoria into a “retrotopian” space.
Georgina Cebey analyses the distinctive image of Mexicali in Levantamuertos (2013), arguing that the film’s exploration of the “slow violence” of everyday life challenges stereotypical representations of the Mexican border.
Chris Hite explores the popularity of Italian cinema in the “middling” industrial towns of Western Pennsylvania in the early twentieth century and traces how shifts in distribution and exhibition practices for foreign films marginalized these markets after World War II.
In their dossier introduction, the editors discuss the significance of “middling cities” to debates about media and urbanism, and make a case for the importance of looking beyond metropolitan centres and global media capitals.