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Mediapolis - a journal of cities and culture a journal of cities and culture
  • About Us
    • Mission Statement
    • Editors
      • Lawrence Webb
      • Elizabeth Patton
      • Noelle Griffis
      • Scott Rodgers
    • Editorial Board
    • Advisory Board
    • Our Partners
  • Current Issue
  • Archive
    • Volume 1 – 2015/2016
      • № 1 – December 2015
      • № 2 – March 2016
      • № 3 – June 2016
      • № 4 – August 2016
      • № 5 – November 2016
    • Volume 2 – 2017
      • № 1 – January/February 2017
      • № 2 – June 2017
      • № 3 – September 2017
      • № 4 – October/November 2017
      • № 5 – December 2017
    • Volume 3 – 2018
      • № 1 – January/February 2018
      • № 2 – June 2018
      • № 3 – August/September 2018
      • № 4 – October/November 2018
    • Volume 4 – 2019
      • № 1 – January/February 2019
      • № 2 – June 2019
      • № 3 – October/November 2019
    • Volume 5 – 2020
      • Vol. 5 № 1
      • Vol. 5 № 2
      • Vol. 5 № 3
      • Vol. 5 № 4
    • Volume 6 – 2021
      • Vol. 6 № 1
      • Vol. 6 № 2
      • Vol. 6 № 3
      • Vol. 6 № 4
    • Volume 7 – 2022
      • Vol. 7 № 1
      • Vol. 7, № 2
      • Vol. 7, № 3
  • Resources
    • SIG Institutional History
      • Workshops
      • 2016 Workshop Proposal
      • Sponsored Events
    • Conference Presentations
      • 2008 – Philadelphia
      • 2009 – Tokyo
    • Course Syllabi
  • Sections
    • Dossiers
    • Roundtables
    • Q & A
    • Deep Dives
    • From the Archive
    • Opening the Canon
    • Student Voices
    • Mediapolis on Coronavirus
    • Podcast: Mediapolis Now
  • Contribute
    • Submission guidelines
    • Call for Contributions
The Mediapolis Q&A: Caitlin Bruce’s Painting Publics

The Mediapolis Q&A: Caitlin Bruce’s Painting Publics

Copying and COVID-19 in Havana, Cuba

Copying and COVID-19 in Havana, Cuba

The Silent Hecatomb: Pandemic in Rio’s Favelas

The Silent Hecatomb: Pandemic in Rio’s Favelas

South Africa’s Wider Divide in the Disaster State

South Africa’s Wider Divide in the Disaster State

COVID-19, Labor Mobility, and Care Work in China

COVID-19, Labor Mobility, and Care Work in China

The Last Chronicle: From Peking University Students to the Indigenous People of Alto Solimões

The Last Chronicle: From Peking University Students to the Indigenous People of Alto Solimões

China under Lockdown: Social Media and Labor Conditions during the Covid-19 Pandemic

China under Lockdown: Social Media and Labor Conditions during the Covid-19 Pandemic

Revisiting Lists in a Time of Rebellion

Revisiting Lists in a Time of Rebellion

Culture in the Mediapolis

Culture in the Mediapolis

In This Issue

Revisiting Lists in a Time of Rebellion

by Malini Guha

What are the potentials and pitfalls of the list in a moment of rebellion? Malini Guha looks at the cultural politics of the anti-racist film list in the context of Black Lives Matter.

You are the Film I Started to Make but Never Finished

by Eleni Kalantzi

Culture in the Mediapolis

by Helen Morgan Parmett

From Cultural Desert to Cultural Garden: The Uncertainty of Singapore’s Creative Policy

by Caitlyn Williams

Springtime 2020

by Stan Nugent
View no. 2

Previous Issue

From Water to Home: Permeability as Social Inclusion (and Exclusion) in Contemporary London

by Anna Viola Sborgi

Anna Viola Sborgi considers how recent documentary films reconfigure porosity as permeability, and reflects on questions of social inclusion in the city under lockdown.

No Exit, or Duration in Slow Cinema: Aesthetics of Femininity, Porosity, Security

by Erin Shevaugn Schlumpf

Screens in Public Space: Questions of Aesthetics and Access in a Moment of Social Distancing

by Annie Dell'Aria

Activist Media and Distributional Aesthetics in the City

by Carrie Rentschler

Urban Pores as Media: Questions of Aesthetics and Access

by Sabine Haenni
View no. 1

©

Mediapolis 2015-2023.
Back to top
  • About Us
    • Mission Statement
    • Editors
      • Lawrence Webb
      • Elizabeth Patton
      • Noelle Griffis
      • Scott Rodgers
    • Editorial Board
    • Advisory Board
    • Our Partners
  • Current Issue
  • Archive
    • Volume 1 – 2015/2016
      • № 1 – December 2015
      • № 2 – March 2016
      • № 3 – June 2016
      • № 4 – August 2016
      • № 5 – November 2016
    • Volume 2 – 2017
      • № 1 – January/February 2017
      • № 2 – June 2017
      • № 3 – September 2017
      • № 4 – October/November 2017
      • № 5 – December 2017
    • Volume 3 – 2018
      • № 1 – January/February 2018
      • № 2 – June 2018
      • № 3 – August/September 2018
      • № 4 – October/November 2018
    • Volume 4 – 2019
      • № 1 – January/February 2019
      • № 2 – June 2019
      • № 3 – October/November 2019
    • Volume 5 – 2020
      • Vol. 5 № 1
      • Vol. 5 № 2
      • Vol. 5 № 3
      • Vol. 5 № 4
    • Volume 6 – 2021
      • Vol. 6 № 1
      • Vol. 6 № 2
      • Vol. 6 № 3
      • Vol. 6 № 4
    • Volume 7 – 2022
      • Vol. 7 № 1
      • Vol. 7, № 2
      • Vol. 7, № 3
  • Resources
    • SIG Institutional History
      • Workshops
      • 2016 Workshop Proposal
      • Sponsored Events
    • Conference Presentations
      • 2008 – Philadelphia
      • 2009 – Tokyo
    • Course Syllabi
  • Sections
    • Dossiers
    • Roundtables
    • Q & A
    • Deep Dives
    • From the Archive
    • Opening the Canon
    • Student Voices
    • Mediapolis on Coronavirus
    • Podcast: Mediapolis Now
  • Contribute
    • Submission guidelines
    • Call for Contributions