Vol. 5 № 2

From Water to Home: Permeability as Social Inclusion (and Exclusion) in Contemporary London

by Anna Viola Sborgi

Anna Viola Sborgi considers how recent documentary films reconfigure porosity as permeability, and reflects on questions of social inclusion in the city under lockdown.

The Mediapolis Q&A: Caitlin Bruce’s Painting Publics

Copying and COVID-19 in Havana, Cuba

The Silent Hecatomb: Pandemic in Rio’s Favelas

South Africa’s Wider Divide in the Disaster State

COVID-19, Labor Mobility, and Care Work in China

The Last Chronicle: From Peking University Students to the Indigenous People of Alto Solimões

China under Lockdown: Social Media and Labor Conditions during the Covid-19 Pandemic

Revisiting Lists in a Time of Rebellion

Culture in the Mediapolis

In This Issue

Revisiting Lists in a Time of Rebellion

You are the Film I Started to Make but Never Finished

Culture in the Mediapolis

From Cultural Desert to Cultural Garden: The Uncertainty of Singapore’s Creative Policy

Springtime 2020

Previous Issue

From Water to Home: Permeability as Social Inclusion (and Exclusion) in Contemporary London

No Exit, or Duration in Slow Cinema: Aesthetics of Femininity, Porosity, Security

Screens in Public Space: Questions of Aesthetics and Access in a Moment of Social Distancing

Activist Media and Distributional Aesthetics in the City

Urban Pores as Media: Questions of Aesthetics and Access