
The Mumbai Slum: Aerial Views and Embodied Memories
byIn this third and final part of our Slums series, Ranjani Mazumdar discusses two recent films that have created “embodied cartographies” of Mumbai’s Dharavi.
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In this third and final part of our Slums series, Ranjani Mazumdar discusses two recent films that have created “embodied cartographies” of Mumbai’s Dharavi.
Daryl Meador explores how the cinematography, soundscape, and generic context of Texas in The Last Picture Show not only evoke alienation but articulate it to settler colonialism.