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Mediapolis - a journal of cities and culture a journal of cities and culture
  • About Us
    • Mission Statement
    • Editors
      • Lawrence Webb
      • Elizabeth Patton
      • Noelle Griffis
      • Scott Rodgers
    • Editorial Board
    • Advisory Board
    • Our Partners
  • Current Issue
  • Archive
    • Volume 1 – 2015/2016
      • № 1 – December 2015
      • № 2 – March 2016
      • № 3 – June 2016
      • № 4 – August 2016
      • № 5 – November 2016
    • Volume 2 – 2017
      • № 1 – January/February 2017
      • № 2 – June 2017
      • № 3 – September 2017
      • № 4 – October/November 2017
      • № 5 – December 2017
    • Volume 3 – 2018
      • № 1 – January/February 2018
      • № 2 – June 2018
      • № 3 – August/September 2018
      • № 4 – October/November 2018
    • Volume 4 – 2019
      • № 1 – January/February 2019
      • № 2 – June 2019
      • № 3 – October/November 2019
    • Volume 5 – 2020
      • Vol. 5 № 1
      • Vol. 5 № 2
      • Vol. 5 № 3
      • Vol. 5 № 4
    • Volume 6 – 2021
      • Vol. 6 № 1
      • Vol. 6 № 2
      • Vol. 6 № 3
      • Vol. 6 № 4
    • Volume 7 – 2022
      • Vol. 7 № 1
      • Vol. 7, № 2
      • Vol. 7, № 3
  • Resources
    • SIG Institutional History
      • Workshops
      • 2016 Workshop Proposal
      • Sponsored Events
    • Conference Presentations
      • 2008 – Philadelphia
      • 2009 – Tokyo
    • Course Syllabi
  • Sections
    • Dossiers
    • Roundtables
    • Q & A
    • Deep Dives
    • From the Archive
    • Opening the Canon
    • Student Voices
    • Mediapolis on Coronavirus
    • Podcast: Mediapolis Now
  • Contribute
    • Submission guidelines
    • Call for Contributions
From the Archive: the news stand at the border

From the Archive: the news stand at the border

From the Archive: new practices

From the Archive: new practices

Q&A: Nathan Holmes on Welcome to Fear City

Q&A: Nathan Holmes on Welcome to Fear City

Vol. 4 № 2

In This Issue

Landscape as Loneliness in The Last Picture Show

by Daryl Meador

Daryl Meador explores how the cinematography, soundscape, and generic context of Texas in The Last Picture Show not only evoke alienation but articulate it to settler colonialism.

Hemispheric Conversations Urban Art Project: Celebrating Histories of Industrial Labor and Potential Futures of Ecological Abundance

by Caitlin Bruce

“It Takes a Village…”: The Use of Childhood to Negotiate Questions of Migration and European Identity in Le Havre

by Anushka Robinson

An Archive of Shirkers (2018): Collaging Different Theories of the Archive

by David Chan

Worlds Under Watch: The Moving Surveillance-Image and Its Institutions

by Cedric Bobro
View no. 2

Previous Issue

Spatialising the Time-Image : Viewing Renoir through Deleuze and Guattari

by Barry Nevin

Jean Renoir’s vision of space has continued to sustain theorization since André Bazin’s major critical reappraisal of the quintessential French auteur in Cahiers du…

The Mediapolis Q&A: Joshua Glick on Los Angeles Documentary

by Alexander Davis

Magical Marinades and Archival Puzzles: An Interview with Jennifer Wild

by Jennifer Wild & Matt Hauske

‘Unceded’ as Elsewhere: Indigenous-Led Concepts of Architecture at the 2018 Venice Architectural Biennale

by Malini Guha

Race, Place, and New Orleans in Film and Television

by Helen Morgan Parmett
View no. 1

©

Mediapolis 2015-2023.
Back to top
  • About Us
    • Mission Statement
    • Editors
      • Lawrence Webb
      • Elizabeth Patton
      • Noelle Griffis
      • Scott Rodgers
    • Editorial Board
    • Advisory Board
    • Our Partners
  • Current Issue
  • Archive
    • Volume 1 – 2015/2016
      • № 1 – December 2015
      • № 2 – March 2016
      • № 3 – June 2016
      • № 4 – August 2016
      • № 5 – November 2016
    • Volume 2 – 2017
      • № 1 – January/February 2017
      • № 2 – June 2017
      • № 3 – September 2017
      • № 4 – October/November 2017
      • № 5 – December 2017
    • Volume 3 – 2018
      • № 1 – January/February 2018
      • № 2 – June 2018
      • № 3 – August/September 2018
      • № 4 – October/November 2018
    • Volume 4 – 2019
      • № 1 – January/February 2019
      • № 2 – June 2019
      • № 3 – October/November 2019
    • Volume 5 – 2020
      • Vol. 5 № 1
      • Vol. 5 № 2
      • Vol. 5 № 3
      • Vol. 5 № 4
    • Volume 6 – 2021
      • Vol. 6 № 1
      • Vol. 6 № 2
      • Vol. 6 № 3
      • Vol. 6 № 4
    • Volume 7 – 2022
      • Vol. 7 № 1
      • Vol. 7, № 2
      • Vol. 7, № 3
  • Resources
    • SIG Institutional History
      • Workshops
      • 2016 Workshop Proposal
      • Sponsored Events
    • Conference Presentations
      • 2008 – Philadelphia
      • 2009 – Tokyo
    • Course Syllabi
  • Sections
    • Dossiers
    • Roundtables
    • Q & A
    • Deep Dives
    • From the Archive
    • Opening the Canon
    • Student Voices
    • Mediapolis on Coronavirus
    • Podcast: Mediapolis Now
  • Contribute
    • Submission guidelines
    • Call for Contributions