Landscape as Loneliness in The Last Picture Show
byDaryl Meador explores how the cinematography, soundscape, and generic context of Texas in The Last Picture Show not only evoke alienation but articulate it to settler colonialism.
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Spatialising the Time-Image : Viewing Renoir through Deleuze and Guattari
byJean Renoir’s vision of space has continued to sustain theorization since André Bazin’s major critical reappraisal of the quintessential French auteur in Cahiers du…
