Daryl Meador explores how the cinematography, soundscape, and generic context of Texas in The Last Picture Show not only evoke alienation but articulate it to settler colonialism.Read More
In this issue’s Global Public Art column, Caitlin Bruce discusses her Hemispheric Conversations Urban Art Project, which connects post-industrial cities across the US/Mexico border and offers new ways of producing and engaging graffiti and mural-making.Read More
Nathan Holmes discusses his new book Welcome to Fear City: Crime Film, Crisis, and the Urban Imagination with Mediapolis Reviews Editor Noelle Griffis.Read More
As a response to Giorgia Piffaretti, Floris Paalman elaborates on her model of the newsstand in relationship to personal archives and archival value.Read More
Anushka Robinson explores Aki Kaurismäki’s take on migration, Fortress Europe, northern France, and community ties through theories of childhood and affiliation.
David Chan brings several theories of the archive to bear on the recent documentary Shirkers, asking how the film’s openness as a text and mission of collecting a lost film relate to the specificities of place and embodied difference that gave rise to the project.
Cedric Bobro traces the linguistics roots of surveillance and the fantasy of the omnipotent view through ghosts and AI to the modern surveillance apparatus.
Mathilde Fauteux explores the political spaces of Janelle Monáe’s work, concentrating on both the diegetic spaces that make up her recent projects and the transmedia spaces those projects occupy and create.
In her introduction to this installment of Student Voices, Amy Corbin contextualizes the essays in the work of the Society for Cinema and Media Studies’s undergraduate conference, which she co-organized. She also provides a platform for Jeffery Lin, an invited contributor, to discuss the ongoing protests on Hong Kong and his reasons for withdrawing his essay.
[Ed. note: this post is part of a Student Voices section on Hong Kong, Shanghai, cities, screens, and spectacle. For more background on the…
In this conclusion to her two-part look at the Grenfell crisis, Anna Viola Sborgi examines the aftermath of a crisis and the ways in which activists have and have not been successful in ensuring continued focus on the underlying issues.
Alessio Kolioulis examines the work of GAIKA – music, videos, and films – and explores the critiques of surveillance and state control running throughout.
In the first of a two-part look at the Grenfell Tower crisis, Anna Sborgi examines the complicated relationship between the media and social housing in contemporary London.