A Tribute to Isabelle McNeill and Her Video Essay Drones in the Banlieue
Alan O'Leary and Isabelle McNeillAlan O’Leary pays tribute to Isabelle McNeill (1979–2025) and introduces her video essay Drones in the Banlieue.
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Alan O’Leary pays tribute to Isabelle McNeill (1979–2025) and introduces her video essay Drones in the Banlieue.
From playable to instagrammable: Paul O’Connor, Julian Mcallister Groves, Yingxin Du and Tina Sze Nga Ho trace the ‘colorful’ history of the Choi Hung Public housing estate, and what that might mean for its future.
Are we playing … or are we being played? In this conceptual contribution, Conor Moloney maps the tensions between public and counterpublic, culture and counterculture, play and counterplay in relation to urban experience.
The artwork Too Rich City transforms China’s housing crisis into a virtual playground, where NFT properties and augmented reality offer young people alternative forms of urban belonging. Hsin Hsieh both embraces and critiques this artwork.
Games and cities are shaped by protocols and procedures. Drawing on the concept of ‘Gamespace,’ Connor Cook discusses how gamic principles are applied to urban planning and how these might be playfully resisted in turn.
Play activates our imagination, but it can also fall short in fostering real change. Radmila Radojevic, Simeona Petkova and Núria Arbonés Aran reflect on this tension in relation to rapidly changing neighborhoods.
A children’s menu, a play kitchen, a coloring book: Is that what makes a space #kidsproof? Laura Vermeeren explores how Instagram’s aestheticized content increasingly shapes what family leisure in the city should look like.
Reflecting on her experiences of skateboarding in Cairo, New York and other cities as a form of ‘rolling ethnography’, Alia ElKattan positions ‘seeing like a skater’ as a new way to approach urban landscapes.
Anthony Albright and Frans Willem Korsten discuss the playful appropriation of a vacant building by a squatters’ group as part of an effort to recapture urban environments from the profit-oriented ‘game’ of waiting by investors.
The city is a playground. But is it really? This introduction to the Playable Cities dossier discusses how cities are built, how cities are navigated, and how cities are resisted with and through play.
Focusing on Istanbul’s Etiler neighborhood, Aylin Kartal follows different waves of urban transformation from the 1950s onwards, connecting street play, urban planning and collective memory.
Seeing and knowing a city are not necessarily the same: based on an interactive workshop with international students in London, Photini Vrikki and Giota Alevizou position photographic practices as a critical part of urban play.
Erica Stein speaks to İpek Çelik Rappas about her book Filming in European Cities.
Contrasting the visibility of playful art installations with a decline in funding for public infrastructures, Alison Stenning discusses how playability of ordinary urban environments is often ignored, devalued and undermined in urban planning.
Bringing together artistic interventions and urban acts of resistance under the umbrella of ‘sensor games,’ Christoph Borbach and Max Kanderske explore playful practices that strategically engage with and expose surveillance infrastructures.
What happens when cities become datasets for AI competitions? Sam Hind shows how machine learning’s scoreboards distance practitioners from the real-world impacts of their work.
Eva Wiegert draws on contemporary photographic series by African artists to examine how artists harness the city’s nocturnal light to reimagine urban space. These photographs not only capture the energy of nocturnal Lagos but also challenge stereotypes and invite viewers to see its people and places from new perspectives.
Patricia Pia Bornus and Bianka-Isabell Scharmann introduce the dossier on Lightscapes and Nightscapes with some reflections on cities, light, and night.
Sofia Panza and Carlo Ugolotti examine the expressive and psychological uses of light in the city films of Bernardo Bertolucci.
What happens when the night becomes a stage for nationalism? Tracing the nocturnalization of national day celebrations, Elif Kaymaz argues that choreographed lightscapes reshaped urban space to cultivate emotions of unity, pride, and festive allure, offering citizens of early Republican Turkey not just a spectacle to watch but a space to inhabit.
Laura Laabs follows the smooth path of a drone, the central vehicle in a tech demo for raytracing technologies. Using the moth as a figure for our relationship to light, Laabs asks what is at stake in such mediations of reflection and shine.
Drawing on the George Floyd Hologram Memorial Project, Clara Podlesnigg examines how luminous projections transformed sites of white supremacy into spaces of counter-narrative and spectacle. While the hologram elevated Floyd’s image into a racial icon, it also exposed the problematic convergence of commemoration, commodification, and the erasure of Black life in public space.
Simon Schiller examines the techniques used to capture night on film in Weimar-era Berlin and discusses the intersections of cinema, electricity, and light in urban modernity.
Reflecting on her photographic work, Chantal Meng shows how the experience of artificial light reshapes our very concept of darkness, thereby necessitating a reconsideration of shadows.
Drawing on UrbanLab Galway’s collaboration with the Galway International Arts Festival, Patrick Collins explores how large-scale artistic intervention can reframe a forgotten industrial site and invite public engagement with urban space, memory, and speculative futures.
Reconstructing Sergei Eisenstein’s travels in rural Mexico for the unfinished project, ¡Que Viva Mexico!, Emmanuel Ramos-Barajas argues that the filmmaker’s theories of montage were shaped by ideas about tourism, authenticity, and ethnography.