• Policing and the Media: The View from Chicago

    Policing and the Media: The View from Chicago

    A Roundtable

In This Issue

Introduction: SCMS-U & Student Voices

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In her introduction to this installment of Student Voices, Amy Corbin contextualizes the essays in the work of the Society for Cinema and Media Studies’s undergraduate conference, which she co-organized. She also provides a platform for Jeffery Lin, an invited contributor, to discuss the ongoing protests on Hong Kong and his reasons for withdrawing his essay.

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A NEW(S) STAND: UNFOLDING LAYERS OF MEANING – archival praxis, between observation, projection and imagination

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In this installment of ‘from the archive’, Swiss artist Giorgia Piffaretti focuses on the subject of ‘personal archive’. Starting from her own archive, she recognizes potential in everyday objects and situations, based on the observation of a newsstand at the border between Italy and Switzerland. Persisting in a digital era, Piffaretti has examined its archival features, for the way it provides access to the world through its papers and magazines.

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Race, Place, and New Orleans in Film and Television

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In this post, Helen Morgan Parmett takes stock of some of the ways in which media culture and practice, and particularly film and television, has helped to shape discourses of New Orleans historically and the ways in which more recent shifts in the city’s post-Katrina cultural economy have implicated the industrial conditions of media in the city as well as its global representation.

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SCMS 2016

Spaces of Spectatorship: Architectures of the Projected Image

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Moving-image installations and media architecture have recently given renewed currency to established notions of dispositif, apparatus, and spectatorship. These concepts have allowed for new inquiries into the relationships among screens, viewers, and space in the urban context. In this Polished Panel, the participants use close analyses of peripheral practices of projection to illuminate the centrality of architecture to spectatorial experience.

Methodologies of Race and Space

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Mediated cityscapes often reinforce the stigma associated with devalued areas and the underprivileged, yet can also undermine dominant perceptions and counter misrepresentations of place. In this Polished Panel, the participants map that tension that emerges between real and represented places, using a spatial approach to race to trace formal and industrial practices that create meaningful linkages among spaces, places, and bodies.

Mapping Urban Horror

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Of all popular film genres, horror perhaps makes the most consistent and flexible use of space. This use maps out landscapes of power, repression, and displacement. In this Polished Panel, the participants propose to use horror as a map of gentrification and its spectre of racialized violence.