• Policing and the Media: The View from Chicago

    Policing and the Media: The View from Chicago

    A Roundtable

In This Issue

COVID Nights

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Will Straw analyzes nocturnal videos that reveal the scale of night-time cultures happening during the COVID-19 lockdown and the role of the pandemic in highlighting ongoing policy debates about urban lighting, urban noise, and spectacle.

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Culture in the Mediapolis

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Helen Morgan Parmett and Conn Holohan introduce this installment of Student Voices. First, Helen Morgan Parmett discusses the themes of her seminar course, “Culture in the Mediapolis,” from which student essays in the section are drawn. Morgan Parmett emphasizes the ways in which the COVID-19 pandemic influenced the course and her students. Holohan then provides an introduction to the short films students’ submitted as part of the section’s special feature on student responses to the pandemic.

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SCMS 2016

Spaces of Spectatorship: Architectures of the Projected Image

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Moving-image installations and media architecture have recently given renewed currency to established notions of dispositif, apparatus, and spectatorship. These concepts have allowed for new inquiries into the relationships among screens, viewers, and space in the urban context. In this Polished Panel, the participants use close analyses of peripheral practices of projection to illuminate the centrality of architecture to spectatorial experience.

Methodologies of Race and Space

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Mediated cityscapes often reinforce the stigma associated with devalued areas and the underprivileged, yet can also undermine dominant perceptions and counter misrepresentations of place. In this Polished Panel, the participants map that tension that emerges between real and represented places, using a spatial approach to race to trace formal and industrial practices that create meaningful linkages among spaces, places, and bodies.

Mapping Urban Horror

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Of all popular film genres, horror perhaps makes the most consistent and flexible use of space. This use maps out landscapes of power, repression, and displacement. In this Polished Panel, the participants propose to use horror as a map of gentrification and its spectre of racialized violence.